Jacqueline Kiyomi Gork’s (b.1982, Long Beach, CA) studied at the San Francisco Art Institute and researched the history of acoustics and computer music at Stanford University. Their work has been the subject of solo exhibitions at the Carpenter Center for the Visual Arts,  Harvard University (2024); Visual Arts Center, University of Texas Austin (2023); Empty Gallery, Hong Kong (2025, 2021, 2017); François Ghebaly (2022); 356 Mission, Los Angeles  (2017); The Lab, San Francisco (2016); and Yerba Buena Center for the Arts, San Francisco  (2014). They have participated in group exhibitions including the Singapore Biennial (2025), Chicago Architecture Biennial (2025); 13th Taipei Biennial (2023); Hammer Museum, Los  Angeles (Made in LA 2020); SculptureCenter, New York (2019); and San Francisco Museum of Modern Art (2017). They are a recipient of the Gold Art Prize (2025), a Roy Lichtenstein  Award from the Foundation of Contemporary Arts (2025), a Joan Mitchell Fellowship (2023)  and an Art + Technology Lab Grant from the Los Angeles County Museum of Art (2021).  Their work is in the collections of the Hammer Museum, SFMOMA, Berkeley Art Museum and Pacific Film Archives, and Walker Art Center.